Like PlayBox Neo GUIs, the user interface has a low glare background which remains eye-friendly throughout a long working shift. Video content and audio levels can be previewed easily using Capture Suite's built-in multiscreen display ( Figure 2). Input and output configuration as well as storage parameters are easily accessible. Functions such as input selection, ingest presets and file-naming conventions are just a single click away from the user. The entire ingest process can be handled via a standard web browser either on-site or via a secure link from any location – an important feature in today's Covid-aware world.Īll necessary operations needed to control multiple ingest channels, and multiple servers can be performed quickly. Figure 1 shows an example of the way in which multiple ingest engines can be configured with network-attached storage to handle incoming content files. As well as routine incoming traffic, that includes live news feeds and live studio feeds – giving producers the 'iso-cam' option of recording the output from multiple cameras simultaneously rather than having to switch or mix between them.įig.1 PlayBox Neo Capture Suite workflow exampleĮasy to integrate into any broadcast media environment, Capture Suite employs a client-server architecture which can be scaled to accommodate a practically unlimited number of input channels. Designed to make the entire ingest process faster and easier, it allows an ingest operator to control all available sources and servers from a single user interface, ensuring exceedingly high efficiency. Compatible with UHD at up to 100 frames per second, as well as with HD and SD standards, it is a multi-channel multi-server live ingest solution supporting a wide range of codecs and containers. Our recently introduced Capture Suite ingest engine is designed to break the front-end production bottleneck by elevat ing ingest to an entirely new level. Capture lists can be imported from third-party traffic systems. Ingested content is available for playback seconds after ingest commences. Audio levels can be monitored as loudness/true-peak displays and adjusted when required. These can be monitored on a single screen and controlled via a streamlined user interface with enhanced multichannel control and operability. CaptureBox Neo was, and still is, a standalone 3 RU server allowing four SD or two HD source channels to be captured simultaneously. Our first ingest-related product was CaptureBox, later upgraded to CaptureBox Neo. ![]() Pressure on ingest departments can at times reach traffic-jam proportions, especially at news-oriented channels or in playout facility companies handling multiple broadcast channels. Most incoming content nowadays arrives either as files, networked media streams or direct from satellite. Until quite recently, many broadcasters nurtured a small armoury of videotape players which have been used over the years to ingest legacy libraries stock. The design concept from Day One was to make the entire process of broadcast channel management easy to learn and intuitive to operate.Įfficient ingest is crucial to every television network, especially in today's highly competitive and time-conscious world. Both are designed to run on practically any modern commercial off-the-shelf server. These solutions are centred on AirBox Neo file-based servers and our cloud-based offering – Cloud2TV. ![]() Automated playout, when that too arrived, was initially from robotic video cassette decks but here again magnetic hard disks were the logical medium at least for near-to-airtime storage: more economical, more compact, easier to install and maintain, easier to operate, more versatile.Ĭelebrating our 21st anniversary in 2020, PlayBox Neo is focused firmly on the development of server-based broadcast scheduling, channel branding and playout. Digital post-production and content management had arrived. Video tape made broadcasting easier and more economical but the real advance came with the transition to digital video and audio storage on magnetic hard disks. Outdoor productions were created, edited and played out from 16 mm. Feature movies were played out direct from 35 mm telecine. Media ingest boiled down to one thing: cine film. Television production in the early decades of broadcasting centred largely on a combination of direct-to-camera live studio shooting punctuated by photographs and cardboard graphics. By Pavlin Rahnev (CEO) and Stanislav Petkov (CTO), PlayBox Neo
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